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・ Corazones
・ Corazones (song)
・ Corazones al límite
・ Corazones de mujer
・ Corazones sin rumbo (telenovela)
・ Corazonin
・ Corazzieri
・ Corazón
・ Corazón (Ednita Nazario album)
・ Corazón (film)
・ Corazón (Fonseca album)
・ Corazón (Ricky Martin song)
・ Corazón (Santana album)
・ Corazón (volcano)
・ Corazón apasionado
Corazón Aymara
・ Corazón Bipolar
・ Corazón Bipolar (song)
・ Corazón de criolla
・ Corazón de dos ciudades
・ Corazón de fiera
・ Corazón de Jesús Airport
・ Corazón de turco
・ Corazón en condominio
・ Corazón esmeralda
・ Corazón Espinado
・ Corazón fiel
・ Corazón latino
・ Corazón Partido
・ Corazón Partío


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Corazón Aymara : ウィキペディア英語版
Corazón Aymara

''Corazón Aymara'' (''Aymara Heart'') is a 1925 lost Bolivian silent feature film, directed by Pedro Sambarino.
==Production background==
This film is generally described as Bolivia's first ever fiction feature film.〔("Wara Wara" ), The Bioscope〕〔("El lago Titicaca ha fascinado a los cineastas una y otra vez" ), ''La Razón'', July 3, 2009〕 It portrays an Aymara woman struggling against accusations that she is unfaithful to her husband.〔
Jeff Himpele, in ''Circuits of Culture: Media, Politics, and Indigenous Identity in the Andes'', places ''Corazón Aymara'' in the context of the Bolivian state's "indigenist project" of the 1920s and 1930s. ''Corazón Aymara'', like José Maria Velasco Maidana's ''Wara Wara'' (1930), served as a "visual register of the modernization of the nation state"〔Jeff D. Himpele, ''Circuits of Culture: Media, Politics, and Indigenous Identity in the Andes''. Minneapolis: University of Minnesota Press, 2008, p. 107〕 - thus, according to José Antonio Lucero of the University of Washington, "narrating a future of synthetic mestizo nation building". Lucero also notes that indigenous characters in the cinema of the time were orientalised and played by non-indigenous actors and actresses.〔("The Lion King vs. Evo Morales? Adventures in the Andean Vision World" ), José Antonio Lucero, ''A Contracorriente'', Vol. 6, No. 2, Winter 2009〕
By contrast, historian Carlos Mesa, who founded Cinemateca Boliviana in 1976 and was its director until 1985, then served as President of Bolivia from 2003 to 2005, describes ''Corazón Aymara'' and ''Wara Wara'' as part of an "avant-garde intellectual and artistic movement" which promoted the role of indigenous Bolivians in the 1920s and 1930s.〔("«C'est l'idéalisation du métissage»" ), ''Le Courrier'', October 16, 2010〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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